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Take your turn, take a ride on the merry-go-round . . . in an inhuman race
But even aside from all that, musicals just rarely landed with me. Maybe it was the enormity of every single emotion? The style of music? Try as I might I just don’t like most musicals much, with a big exception being for Phantom of the Opera which I absolutely love for all its imperfect over the top bonkers 80s cheesy synth music self and forlorn story where basically everyone gets rejected by each other or society. For years before I even saw it (I’d read the Leroux book first which lead to all this chaos) I listened to the soundtrack, I learned to play parts of it on the piano from a sheet music book I got from the library, read some weird sequel I think this borrows from, watched all the film renditions ranging from black and white to utter camp horror, I found an adventure game version to play on the computer, i dragged Ethan to the film version when that came out on Christmas in 2004, I went hard for this fandom and it’s a total anomaly.
I saw the play a few times, with my first boyfriend (aw), then with my mom (aw) and then with Ethan the day before it closed (aw). I was bummed because it was such a mainstay on broadway, and as much as I don’t like musicals I love the carnivalesque vibe of broadway and want it to exist forever. just more affordably.
Anyway a few months after it closed, some set plans leaked for a revival of it being done in an interactive fashion called Masquerade, not dissimilar to Sleep no More in terms of overall scope. As much as I loved Phantom, I loved Sleep No More more. I don’t even know how many times I saw it with Ethan when it was in Brookline, i saw it by myself, I saw it with Ethan a few times in NYC, my 20 year on and off situationship and I met up to see it at the beginning of our longest but last reconciliation. So there are lots of memories around that play, most pretty fantastic. The whole world they created, the sound, the fragrances, the trees, walking through that wordless dreamscape where people might grab you and drag you into a closet to whisper secrets in your ear and slip Bible verses in your bra, it was all just amazing. So the idea of combining the two? Sign me up.
Despite our best efforts, I don’t think we’re staying in America and I wanted to go to New York to see my dad and grandparents and say bye. While down here we decided to get tickets to see Oasis (I dated so many Anglophiles that I should like good britpop but here I am letting them and all their suggestions down, I got caught up in the enormity of the reunion hype I’m barely a fan) and then we decided to get NIN tickets (again, kinda why? Although at least I love pretty hate machine) and then I was able to snag tickets for a preview showing of Masquerade, and now this was a whole production.
It is predictably bonkers. I don’t think anyone reading this is gonna want to go so I feel like I can just talk about it freely since I have an audience of 2 who don’t strike me as fans of cheesy 80s synth heavy showtunes so it should be ok ;) that said SPOILERS.
So yeah if you are like me, first I am so sorry, but if you were like me and you loved the world of the phantom, you get thrown into it like you’re a character (fancy dress is required - Ethan looked fucking snazzy in a black on black on black on black 3 piece suit, I had some velvet and lace Vampire’s Wife x H&M monstrosity that was simultaneously very short and very poofy that was fantastic) and you have to wear fancy masquerade masks the whole time (i hunted for mine for ages and it was awesome). So you’re basically posh Parisians caught in the crossfire of the war between the Erik the Opera Ghost and the owners of the Paris Opera as they battle over Christine Daae. You walk in and immediately are handed glasses of champagne (or sparkling juice if you don’t drink) and then suddenly the masquerade scene is just happening around you and I’m not gonna lie I SO got very choked up and was so glad I didn’t wear eye makeup, because I caught myself springing leaks multiple times. (At the beginning your group is in a room with a man playing a medley of all the songs on violin and MAN I wanted to tell my mom all about this because she would’ve loved it. I did not know it was possible to be so hyped and sad at the same time!) It is just so incredibly over the top and you hit the ground running and don’t stop until it’s over. I had read something about how people who saw Taylor Swift in concert could barely remember it because they were so overstimulated to the point of sensory and emotional overload that their brains just kind of were impeded in creating clear memories and I guess this was my Eras tour moment so I want to write this all down now.
Unlike SNM this is absolutely on rails, you are guided, while there is some there isn’t as much leeway for exploration, and absolutely no possibility for backtracking or leaving your assigned group, but it works because there is dialogue and vocals. So you’re running all over this giant warehouse while all of this familiar story is happening around you and then it veers off into left field giving you a lot of backstory on the Phantom and his life before he ended up in the opera house. He is considerably more sympathetic, more human, more known. You go through his lair and see all sorts of prototypes and kinetic sculptures, rows of different masks, inventions, two marionette “dolls” who dance together, it was the headiest and dreamiest part of the show and probably the part that evoked SNM the most since it was all wordless. It was also one of the parts that really let you explore.
I want to point out that the actor playing Phantom when I went was Black. I feel like this is important because for a good 45 minutes or more the play is about how he was forced to live in a freak show in Europe after being abandoned and how he was treated like a savage even though he was a savant who loved beauty, and how that experience changed him for the worse prior to his eventual escape to Paris where he was again told he needed to remain hidden. It also warrants mention that the Phantom’s makeup is significantly toned down from the original, he has a few scars on his face, nowhere near the recreation of the Lon Chaney masterpiece the original play went for. This is important because at points we have two actors playing the Phantom, one young version (who wears a burlap sack over his head until the end) and an older one who wears the iconic mask. These two characters exist in scenes simultaneously but never interact until the end and I’ll get back to that.
So the whole play is happening around you and sometimes with you (actors talk to you, dance with you, I got a letter from the Phantom and totally got as giddy as if I’d gotten an signed piece of art from a real person - in the moment it felt legitimate) you end up on a rooftop where some seminal parts of the original play play out outside (which was absolutely outstanding) you get to see certain scenes from other vantage points, it’s a wild and giddy ride. It is also a lot of walking and running up and down stairs (which is a little rough when you’re wearing a floofy dress and a mask)
At the end, after Christine disappears (which involves some amazing close up stunt work I don’t even understand), the older Phantom and the younger Phantom meet, face to face. They embrace like they’re healing some generational trauma and the recognition that the real monster wasn’t borne of the scars but out of his behavior, and the younger Phantom removes the sack and his face is flawless, no scarring, nothing.
So this is where the character being Black made it interesting, just because if they turned this play on its side and made it about racism instead of ”freaky scary guy who is so deformed how he is even alive doesn’t make sense except for him having special powers” that would be so so so cool. I don’t recall anything in the original book stating that the Phantom was white, the times and locations that it takes place in, the Phantom being consistently coded as cruel and *savage* (even though he doesn’t do anything cruel or savage until provoked to do so defensively but then kinda runs with it) and if it turned out everyone was negatively reacting to his non-whiteness, specifically in those circles in that socioeconomic status? brilliant. Especially because the young version of him is unblemished it could be that he was sold as a slave (the novel takes place in the 1800s this tracks in terms of slavery being a practice in Western Europe especially Britain and France) to the carnival and injured there (the carnival showed him as a gimp so scarring him intentionally also would track), just because again I can’t overstate how seemingly intentionally underwhelming his deformity was compared to every iteration of this story ever, where he usually had no nose and visible parches of skull, here he had a few deep scars that looked like burns (and there is in fact some great fire breathing and eating during a carnival sequence). I mean he was right next to me and I was still underwhelmed and nothing else in this was remotely underwhelming.
But even if it’s not about race, I think it’s interesting to have this play be about this person that horrible things happened to and that is what made him horrible, not his appearance. That he had some agency over who he became, and he became bad. That it might have been a mantle that was unwillingly thrust upon him, but it is one that he eventually chooses to run with. The world was brutal to him but when he was offered a second chance he used it to retaliate.
I just loved it. Now I’m hanging out in the Chelsea which was another institution in the city that I was absolutely fascinated with for forever (I blame seeing Sid & Nancy when I was 12 for that one). Ethan was the first person I ever stayed in a hotel in New York with, prior to that I crashed at my parents house which made more sense when you were a broke kid. So while I never saw this place and it’s cracked out heyday, I love it for what it is to me now, being the first place I went after I picked up on the whole living again after the pandemic and where we spent many weekend trips with the bear, this is our first time here without him and I miss him.